We’re going to see a local production of Romeo and Juliet, staged in the fabricating shed at Sloss Furnaces. The former iron mill, active from 1882 to 1971, has become a Birmingham arts venue.
Elizabeth Hunter’s Shakespearean company, Muse of Fire, has been staging annual Shakespeare plays that draw on the city’s dancers, musicians, comedians, and other artists to swell the scene. The results can be quirky — the witches in Macbeth summoned belly-dancing familiars, for instance — but to me it’s part of the American tradition of appropriating and naturalizing Shakespeare as one of us. And I guess the belly dancers are an extension of the dancing and singing that Elizabethan performers did between the acts of a play, more to keep the audience friendly than to advance the plot. Continue reading “Shakespeare at the iron mills”