Saturday baroque: Les Indes galantes

I’m always interested in European images of American Indians. So this week I have for you a clip from a recent staging of the 1736 opéra-ballet Les Indes galantes, by Jean-Philippe Rameau.

In good orientalist fashion, the work lumps together stories of Turks, Persians, and American Indians under the heading of “the gallant Indies.” This dance is from the fourth and final part, “Les Sauvages,” in which the chief’s daughter, Zima, chooses an Indian called Adario for her lover, rejecting the advances of both a Frenchman and a Spaniard. (You can spot the two European rivals in the background toward the end of the dance.) Continue reading “Saturday baroque: Les Indes galantes”

Advertisements